Tuesday, December 21, 2010

The Alchemist Quote Log 4

“But here he was, at the point of finding his treasure, and he reminded himself that no project is complete until its objective has been achieved” (160 – 161).
            Santiago, the boy who once was unsure of whether or not he wanted to complete his personal legend, now finds himself determined to finish until his dream is complete. Here he reminds us that he is indeed a dynamic character, who changes more than once throughout his journey. An interesting character, Santiago becomes one with whom the reader can relate to. He is even one with which we root for. He does not settle for his wealth and status and life with Fatima but rather embarks on an adventurous journey to discover his vocational calling. This is a quality that many readers must express content for with Santiago. He has a passion to succeed. He chooses to fully finish his calling and what he set out to do. I for one can relate, whether it be a sports game or a school paper, I like to finish what I have started. This is just one of the many ways in which we can relate and analyze Santiago.

Monday, December 13, 2010

The Alchemist Quote Log 2

“When you want something, all the universe conspires to help you achieve it” (62).
            One of the many pieces of sagacious advice that the king gives to Santiago is that when one wants something, the universe will help one achieve their goal. If what the king says is true then this is definitely positive news. We all have vocational callings and want to achieve our goals so knowing that the universe will help us is encouraging. What I want to achieve in life is to graduate college with a good education and be able to have a job involved with sports. The king also tells Santiago to “never stop dreaming” (62). I should never stop dreaming either then. My dream may be to open up my own physical therapy clinic and according to the text I should never stop dreaming with the comfort that the universe will help me.

Thursday, December 9, 2010

The Alchemist Quote Log 1

“It’s what you have always wanted to accomplish. Everyone, when they are young, knows what their Personal Legend is” (21).
Santiago is confused as to why the King of Salem would be talking to a shepherd like himself. The King tells him that he has discovered his Personal Legend which is to retrieve a treasure. Santiago has a unique opportunity where he is told what his Person Legend is. Many people struggle to discover what theirs is. Personally I feel as if I know what mine is. A personal Legend should be to do something that one loves to do. For me this is playing sports, talking sports, and being around sports. They are more than a hobby to me and the reason that I want to major in Sports Management. Like Santiago I hope to go on a journey to discover a true meaning. I hope to find a job that puts me around sports, whether it be an agent, athletic director, scout or front office member. I hope I am finding my Personal Legend.

Thursday, December 2, 2010

Othello Character Analysis

Brendan Tuma
Mr. George
World Lit G
01 December 2010
Desdemona: The Virtuous Christian
            Desdemona embodies what it means to be a faithful, Christian woman and she remains a virtuous character throughout the play.
            Desdemona represents a perfect woman from the time period as she is obedient, gorgeous, faithful, and virtuous. She is able to remain just throughout a corrupt play and never loses sight of what is right. She is terrorized by Iago’s villainous acts, abused by her husband, and referred to as a whore in more than one fashion. She stays true to herself and her husband and her final words before death are “Nobody. I myself. Farewell. Commend me to my kind lord. O, farewell” (Shakespeare 5. 2. 152 – 153). Even though it was clearly the acts of Iago and Othello that have killed her she takes the blame. Desdemona is one for whom the reader can sympathize for as she does no wrong yet is hurt most throughout the play.
            Desdemona can be compared to a Christ like figure. She embodies Christian virtue and dies for her sins. Her only wrong is that she broke a social standard of the time period and married a moor yet that becomes her best quality. Just as Christ did, Desdemona follows what she believes in even if it leads to her untimely death.
            A modern day comparison to Desdemona is Michelle Obama. Obama and Desdemona are both the wives of important men and are both regarded very highly. They are both influential in what goes on in the land they come from and are both looked at as the first and best lady.
Works Cited
Shakespeare, William, Barbara A. Mowat, and Paul Werstine. The Tragedy of Othello, the Moor of Venice. New York: Washington Square, 1993.

Othello Essay

Brendan Tuma
Mr. George
World Lit G
02 December 2010
The Juxtaposition of Good Versus Evil
            A character foil is a great literary device where an author can amplify one character’s traits by creating another with some of the opposite characteristics. William Shakespeare does this with Iago and Desdemona in his play titled Othello. Desdemona is the beautiful, just woman who portrays a Christ like figure, dying for a noble cause and one who the reader roots for. On the other hand Iago can be compared to the devil, one whose only goal is to terrorize those around him and whose motives can be questioned. To fully understand Desdemona the reader must get to know Iago. His villainous manners further bring out Desdemona’s virtue. When Desdemona suffers because of Iago’s treachery we feel more emotion towards Desdemona because of it. A character foil is a unique and subtle way to more greatly pronounce a character’s traits. Although Desdemona and Iago appear to just be different, an in depth look at their character foil shows how they are each defined through the other’s traits.
            Iago has been portrayed as the biggest villain in all of Shakespeare’s writings. Previously being best friends with both Othello and Cassio, Iago turns when Cassio is rewarded the position of lieutenant by Othello. It is here where Iago’s malevolence commences. He tells Rodergio, the dimwit of Venice, that he will seek revenge and that he is not what he appears to be. The reader first gets a look at Iago’s evilness in the beginning of the play when he is already taking Roderigo’s money as Roderigo attempts to woo beautiful Desdemona. Iago constructs a cruel and brilliant plan to get back at Othello while harming Cassio and Desdemona in the process. It is unclear why Iago cannot be satisfied with only either receiving the lieutenant position or getting back at Othello. Iago feels the need to drag down his friend Cassio and his general’s wife, Desdemona. Ruthless Iago stops at nothing, also having his wife do some dirty work for him. The genius part of Iago’s plan is how he has other people do dark deeds for him. He has Roderigo attack Cassio, Emilia steal the handkerchief, and so on. There is no blood on his hands. Due to this Othello is more likely to believe Iago in certain situations because he appears just. Iago’s malevolence is amplified when he says, “Not poppy no mandragora nor all the drowsy syrups of the world shall ever medicine thee to that sweet sleep which thou owedst yesterday” (Shakespeare 3. 3. 379 – 382). Physical harm and receving the desired position are not enough for Iago. He must make Othello suffer and he does so by making sure that Othello will not have a good night sleep again. By telling him that Desdemona may be false and that she may have been unfaithful he is playing mind games with Othello. This is a theme that continues throughout the play.
            At no point in the play is Iago satisfied. His true motives are never revealed and this burns inside of Othello. By act 4 Iago has done enough to receive the lieutenant position he desired but for one reason or another does not stop there. He persists in continuously harming the most well liked characters in the play. After crushing Cassio and obtaining the second in command position, Iago still sets his sights on further hurting Othello and Desdemona. In the final scene of the play Iago’s dirty secrets are revealed and all the characters want to know is why he did what he did. Iago responds to this by saying, “Demand me nothing. What you know, you know. From this time forth I never will speak word” (5. 2. 355 – 356). This couplet serves as Iago’s final punch in the throat to Othello. He is so evil that he will not speak of his motive. He has already received the position of lieutenant and still refuses to admit why he hurt Othello, making him the greatest villain in all of Shakespeare’s writings.
            In terms of a play, Iago’s treachery can be considered a good thing for it further shows how good Desdemona actually is. A major contrast that is portrayed is that Iago seems virtuous but is not, while Desdemona seems evil yet is truly virtuous. Throughout the play characters refer to Iago as honest Iago and refer to Desdemona as a strumpet. Each character is perceived by others to be the exact opposite of what they actually are. It takes a character who knows both to pick up on what is going on. After being fooled by Iago once, Emilia has realized the true colors of each character and states, “If he say so, may his pernicious soul rot half a grain a day! He lies to th’ heart! She was too fond of her most filthy bargain” (5. 2. 190 – 192). Emilia speaks derogatorily of Iago and positively of Desdemona. She does so in a time period where a wife is supposed to be an obedient servant to her husband. The fact that she still speaks up under such circumstances highlights the contrast of good Desdemona versus evil Iago. The traits of each are defined through their juxtaposition.
            Desdemona stands for Christian values and all that is right in the world. Desdemona represents a perfect woman from the time period as she is obedient, gorgeous, faithful, and virtuous. She is able to remain just throughout a corrupt play and never loses sight of what is right. She is terrorized by Iago’s villainous acts, abused by her husband, and referred to as a whore in more than one fashion. She stays true to herself and her husband and her final words before death are “Nobody. I myself. Farewell. Commend me to my kind lord. O, farewell” (5. 2. 152 – 153). Even though it was clearly the acts of Iago and Othello that have killed her she takes the blame. Desdemona is one for whom the reader can sympathize for as she does no wrong yet is hurt most throughout the play. Desdemona had no direct relationship with Iago yet seems to be the character hurt the most by his villainous ways. Another way their juxtaposition is amplified is how Desdemona did no direct harm to Iago and that because of her link to Othello she gets brought down.
            Both Iago and Desdemona have extreme personalities that get pronounced through their juxtaposition. When Iago’s evils harm the virtuous Desdemona the reader feels more of an emotion to each character. Iago is able to appear even more villainous because his evils are negatively affecting the faithful Desdemona. The reader simultaneously feels affection for Desdemona because her perfect soul is harmed by the treacherous Iago. A tragedy is a type of play where the reader must feel emotion to be interested so by creating two characters of opposite beliefs and having their personalities affect one another Shakespeare creates juxtaposition. Although the characters do not know of Desdemona’s true faithfulness and Iago’s evil plan, the reader does. When the reader sees Iago referred to as honest Iago and Desdemona referred to as a minx or strumpet they feel emotion. Each characters personalities’ are electrified through the other and because of this juxtaposition helps the reader contrast Iago and Desdemona.






Works Cited
Shakespeare, William, Barbara A. Mowat, and Paul Werstine. The Tragedy of Othello, the Moor of Venice. New York: Washington Square, 1993.

           

Monday, November 22, 2010

Othello Quote Log: 5.2

Brendan Tuma
Mr. George
World Lit G
21 November 2010
“I kissed thee ere I killed thee. No way but this, killing myself, to die upon a kiss” (5. 2. 420-421).
            Othello has realized his error in mistaking Desdemona as unfaithful. Iago spilled the beans once he could no longer handle the pressure. The downfall for honest Iago was the one thing that he said could lead to it. Everyone was in the same room at the same time. The tragedy of Othello ended well for nobody. Desdemona and Emilia are both murdered by their husbands, Othello commits suicide, Cassio loses everything, and Iago is left to be tortured. The end of Othello starts a debate of good versus evil. The clearly evil Iago appeared honest throughout the play which worked for him until Act 5. Desdemona appears vicious yet is truly honest and good. The tragic ending to this play asks the questions of Shakespeare’s motives. It appears that all that matters is how you appear to be like, your character, and not how you actually are as evidenced by the characters.

Thursday, November 18, 2010

Othello Quote Log: 4.3 - 5.1

Brendan Tuma
Mr. George
World Lit G
18 November 2010
“”Tis he! O brave Iago, honest and just, that hast such noble sense of thy friend’s wrong!” (5. 1. 34-35).
            Othello believes that Cassio has just murdered Iago, which prompts him to find Desdemona to finish the plan. In Othello’s mind, Iago is being a terrific friend by murdering Cassio. After Rodergio fails at taking care of Cassio, he gets stabbed himself. This is the first time that Iago must get his hands dirty. The reason that he must get his hands dirty is that he is starting to feel the pressure. He is so deep into this plan that it is too late to back out. Even though he already has fulfilled all his motives he must continue to finish. If he does not then Othello will kill him as he told Iago when he held him underwater. Once roderigo goes down, Iago stabs Cassio himself. He instantly covers up by blaming everything on Bianca.

Wednesday, November 17, 2010

Othello Quote Log: Act 4, Scene 2

Brendan Tuma
Mr. George
World Lit G
18 November 2010
“O, no. He goes into Mauritania and takes away with him the fair Desdemona, unless his abode be lingered by some accident – wherein none can be so determinate as the removing of Cassio” (4. 2. 257-260).
            The gullible Roderigo is still not satisfied with his pursuit of Desdemona. Iago tells him that the best way to land Desdemona is to make sure that she does not leave for Mauritania with Othello. He says that the best way to delay them is by murdering Cassio. Iago’s motive for telling Roderigo this is simple: he promised Othello that he would take care of killing Cassio and by having Roderigo do the dirty work he is keeping his hands clean. Iago clearly has everything working in his favor still, as demonstrated by the fact that Desdemona approached the honest Iago for help when Othello scolds her. 

Monday, November 15, 2010

Othello Quote Log: Act 4, Scene 1

Brendan Tuma
Mr. George
World Lit G
15 November 2010
“Is this the noble Moor, whom our full senate call all in all sufficient?” (4. 1. 297-298).
Lodovico is shocked by the change in Othello. Othello, a dynamic character, no longer possesses the great confidence he held at the beginning of the play. When Othello strikes Desdemona it perfectly contrasts the Othello from Act 1 whose perfect soul would manifest him rightly. After Iago further convinces Othello of Desdemona’s cheating by setting up a conversation between Cassio and her, Othello begins to change even more. He has become completely obsessed with jealousy, letting it interfere with his work and marriage. Othello leaves us by striking his wife in a public place. The end does not look bright for our protagonist.

Sunday, November 14, 2010

Othello Quote Log: Act 3, Scene 4

Brendan Tuma
Mr. George
World Lit G
14 November 2010
“I ne’er saw this before. Sure, there’s some wonder in this handkerchief! I am most unhappy in the loss of it” (3. 4. 117-119).
            Emilia asks Desdemona if Othello is jealous and Desdemona responds by saying that Othello has never seemed jealous and that she is curious what the fuss about the handkerchief is over. This is an example of dramatic irony because Othello and Desdemona have a misunderstanding that the readers know the solution to. Othello now thinks that Desdemona is definitely sleeping with Cassio while really Desdemona is just concerned over why Othello is acting up. Cassio approaches Desdemona at the wrong time which further angers Othello. It is unclear why Othello does not need more proof of them sleeping together and why he is so upset without even talking to Desdemona. Othello has lost all the confidence that he possessed earlier in the play and is at the peak of his jealousy.  

Thursday, November 11, 2010

Othello Quote Log: Act 3, Scene 3

Brendan Tuma
Mr. George
World Lit G
11 November 2010
“No, she let it drop by negligence, and to th’ advantage I, being here, took ‘t up. Look, here ‘tis” (3. 3. 356-358).
Emilia picks up the handkerchief that Othello gave to Desdemona. The handkerchief symbolizes Othello and Desdemona’s love because he gave it to her when they first got married. Iago has been nagging Emilia to steal it from Desdemona so he can use it to frame Cassio. Emilia instantly comes across as a villainous character, just like Iago. Althought it appears as if Emilia and Desdemona are friends, here Emilia is hurting Desdemona. She does not know the extreme extent to which she is hurting her but one can only wonder why she is assisting Iago. Iago uses the handkerchief as the final piece of the puzzle, framing Cassio which sends Othello over the edge.

Thursday, November 4, 2010

Othello Quote Log: Act 2, Scene 3

Brendan Tuma
Mr. George
World Lit G
04 November 2010
“Confess yourself freely to her. Importune her help to put you in your place again. She is of so free, so kind, so apt, so blessed a disposition she holds it a vice in her goodness not to do more than she is requested” (2. 3. 337-341).
Iago’s plan is getting crueler and crueler every page. What he is currently working on is getting Cassio to sleep with Desdemona. He wants to look good to everyone so he is trying to act nice to Cassio. Cassio had just been stripped of his lieutenancy by Othello and Iago advises him on how to get it back. He tells him to talk to Desdemona because she is so kind and may be willing to help. What Iago knows is that Cassio is a ladies’ man and since he has already dropped a seed about how beautiful Desdemona is, Iago is hoping that a little something more occurs between the two. That would get revenge on both Othello and Cassio because Cassio will no longer be the lieutenant and Othello’s wife will have betrayed him.

Tuesday, November 2, 2010

1984 Character Analysis

Brendan Tuma
Mr. George
World Lit G
14 October 2010
Julia: The Tease Rebel
Julia is a rebellious girl who desires to rebel against The Party by having sex but refuses to go any farther than that, spending most of her life trying to avoid being caught.
            Julia uses her young, attractive body to have sex with many men from the Outer Party. When she knows that somebody is not pleased with The Party she sets out to get to know them and tells Winston that she has done that “scores of times” (Orwell 125). This differs from Winston’s ideology in that Julia is satisfied with her tiny rebellions while Winston wants to take The Party down. Winston wishes that Julia would be more interested in overthrowing The Party but she makes it clear that she is content with her form of rebellion: “She flung herself into his arms, kissed him almost violently, and a moment later pusher her way through the saplings and disappeared into the wood with very little noise” (Orwell 128). Once Julia is satisfied with her rebellion she moves on, continuing to enjoy her day to day life.
            Julia is like a flirt, one who leads another to believe that they are interested in the same thing. A flirt will tease a member of the opposite sex into making them believe they are interested. Julia teases Winston by rebelling a little bit but refusing to go all the way to try and overthrow The Party. Like a flirt would do, this drives Winston mad.
            A modern day counterpart of Julia is Lindsay Lohan. Both have strong sex drives and both of their main goals are to get in trouble and then to avoid being caught. When they get in too far, like Julia with Winston and Lohan with drugs, is when they get caught.
Works Cited
Orwell, George. 1984. New York, NY: Signet Classic, 1977.

Othello Quote Log: Act 2, Scene 2 and 3 Through 171

Brendan Tuma
Mr. George
World Lit G
02 November 2010
“Well, happiness to their sheets! Come lieutenant, I have a stoup of wine; and here without are a brace of Cyprus gallants that would fain have a measure to the health of black Othello” (2. 3. 30-33).
            Here Iago is trying to convince Cassio to have a drink with him. Iago is a villainous character and does not actually wish to share a drink with the man who took the position he wanted. Earlier Iago was talking to Cassio about how beautiful Desdemona is, trying to plant a seed that he should go for her without actually saying that he should. Iago is so set on getting what he wants that he does not seem to care about those around him. He is completely content with ruining Cassio’s life. Once Cassio is drunk Iago sets up brawls with both him and Roderigo and him and Montano. Although there is speculation that Othello may have slept with Iago’s wife, Iago’s only hatred towards Cassio is that he got the lieutenancy that Iago desired. Iago may cost Cassio his lieutenancy by this villainous act.

Sunday, October 31, 2010

Othello Quote Log: Act 2, Scene 1

Brendan Tuma
Mr. George
World Lit G
01 November 2010
“Very nature will instruct her in it and compel her to some second choice” (2. 1. 255-256).
The above quotation is Iago speaking to Roderigo. The entire scene so far has consisted of Iago trying to bring everyone down. He has a scheme to hurt everybody to further himself. Through this quotation he is hurting both Othello and Cassio. His first objective is to get back at Othello and he wants to do so by breaking up him and Desdemona. His idea is to convince Othello that Desdemona and Cassio have a relationship so that Cassio will no longer be Othello’s lieutenant. By telling Roderigo that Desdemona will seek another option he is installing in Roderigo’s head that hope is not lost and if he wants to continue scheming that Othello and Desdemona can eventually be broken up. Iago is not actually loyal to Roderigo however and he is only looking out for himself.

Tuesday, October 26, 2010

Othello Quote Log: Act 1, Scene 1

Brendan Tuma
“Your heart is burst. You have lost half your soul. Even now, now, very now, and old black ram is tupping your white ewe” (Shakespeare 1. i. 96-98)
Iago is speaking in the above quotation and he is talking to Brabantio. Iago and Roderigo are both upset with Othello so they hatch a scheme to hurt him by telling his new wife’s father that his daughter is having sex with a black man. This quotation highlights a couple of points, the first being how villainous Roderigo, and especially Iago, actually are. Iago even admits in this section that he is not what he appears to be and that he will do whatever it takes to get his revenge for not being chosen as second in command by Othello. Another point that this quotation highlights is the racism involved in the book. Othello, a man of color, has married the white Desdemona and there is uproar in reaction to this. It remains to be seen what Othello is like and how other characters perceive him.

Sunday, October 24, 2010

1984 Essay

Brendan Tuma
Mr. George
World Lit G
21 October 2010
How War Can Be Peace in a Dystopian Society
            What George Orwell does in his novel, 1984, is create a dystopian society that is governed by the principles of totalitarianism. The dictator, Big Brother, makes seeming paradoxes true. None is more mind blowing than the slogan War is Peace, which at first glance is a head scratcher, but once a deeper look is taken, the phrase can make sense. The simplest explanation is that war, which is continuously fought, can eventually be peaceful to citizens who have never experienced peace. The background of the war is that the three superpowers of the world have been at constant war for over twenty-five years. It is not only Oceania that employs this slogan, it is the entire world of the time period that attempts to convince their citizens that this seeming paradox is true. In order to mold human minds to get them to think that this is true, there are many great feats which those in control must undertake. The way those in control have constructed their slogan there is no explanation necessary. The people are being convinced subconsciously by what the governments are doing. Although this paradox could never make sense in today’s world, the differing ideologies going on in this time period make it so that it can seem true.
            In order for war to be considered peace there must be some way for it to be accepted by the people. A way that this is possible is to drag the war on for an extended period of time. This supposed war commenced over twenty-five years ago from when the novel takes place. The biggest reason for this is that no superpower can ever gain a lead in the war. Even if two of the three nations combined they could not override the third. All three are self sufficient and do not require resources from any of the other states. The result is that no superpower could ever risk a maneuver that would lead to serious defeat. When no moves are made a standstill occurs that causes war to continue, making it peaceful if there is no true peace to be compared to. The text states, “In one combination or another, these three super states are permanently at war, and have been for the past twenty-five years” (Orwell 185-186). Regardless of which two nations align and how they enter combat, the war is going to stay continuous, as evidenced by the fact that it has been that way for the last quarter of a century.
            As explained earlier, this slogan could never pass in today’s world. There must be another difference in the novel’s setting that makes the paradox acceptable. This is that they are fighting a different war in the novel. It is no longer the head to head combat that occurred for all of history: “War, however, is no longer the desperate, annihilating struggle that it was in the early decades of the twentieth century” (186).  That would lead to causalities which would ultimately end the war, ruining the slogan. As a matter of fact it is even quite difficult to come up with an actual reason for why these superpowers are at war because “It is a warfare of limited aims between combatants who are unable to destroy one another, have no material cause for fighting, and are not divided by any genuine ideological difference” (186). The anger toward the other countries is controlled by the government as they tell their citizens derogatory things about their enemies. Without deaths and hatred of one another it is easy to keep a war continuous for so long, which makes it peaceful or acceptable.
            To be at war for so long those in control must make it psychologically acceptable to the people who are supporting it. The governments’ real goals are to use up produced materials: “War, it will be seen, not only accomplishes the necessary destruction, but accomplishes it in a psychologically acceptable way” (192). It does not make sense to people if they produce goods only to torch them or throw them overseas. By having these goods go to a good cause such as the war, the people of the world can feel like they are working toward an ultimate goal even though the government knows there is no plan to end this war. For the paradox to be true the government must come up with more ways for it to be acceptable to society so that it can be true.
            In order to be more acceptable the people must feel positively about what they are doing. What the governments realized is that a continuous war is not dangerous. Nobody wants to go off to fight for a cause, or lack thereof, if they know they could be killed. With continuous war there is no military necessity and technology development can halt. The worst thing that could ever happen to the world has already occurred in this novel. Nuclear bombs have already blown up the world so there is not a lot to feel unsafe about. Another thing is that “In past ages, a war, almost by definition, was something that sooner or later came to an end, usually in unmistakable victory or defeat” (197). Defeat in war meant major loss of independence or something else undesirable, but because nothing can be won or lost it becomes peaceful to stay at war due to the fact that it is not dangerous. Here lies Oceania’s true reason for war.
            To fully understand how this paradox can be true it is important to understand the aims of the governments. At the beginning of the twentieth century the future looked bright. This is because science and technology were developing, but wars and revolutions ceased. Once the world was blown up by atomic bombs and divided into three superpowers the goal become to sustain a dystopia. The real aim of this war is to use products created by the machine without increasing the standard of living because a social hierarchy could only exist with poverty. Countries have gone to war in order to boost the economy, but in this case the wheels of industry have to be kept turning without increasing the real wealth of the world. This is all to keep the social hierarchy intact. This can only be done by continuous warfare so goods need to be produced but not distributed. The true aim of the governments is to maintain their own social orders.
            It is the vastly different world that the novel takes place in that allows this paradox to be true. The governments go through extensive procedures to make the slogan true. Fighting takes place in disputed areas and nobody from any superpower can ever meet one from another. The little fighting that even does occur is by the own country. For example, one way Oceania creates casualties is by bombing their own soldiers and blaming it on another superpower to fire up their people. This paradox is true not only because the fighting is different, but the entire purpose for war and how it is presented to the people is very unique. Therefore, a peace that was truly permanent would be the same as a permanent war.









Works Cited
Orwell, George. 1984. New York, NY: Signet Classic, 1977.